top of page

kelly mcfadden

Is an artist based in Los Angeles

Why Miniatures?

   After visiting Miniature World on Vancouver Island the idea of working on miniature dioramas kept nagging me. When I saw the work of

Andrew Belsey and Abigail Goldman, thats what got me going.

Why work in Tins and Bottles?

   I really like working in a confined space. On one hand it’s really challenging and on the other it puts limits on what I can do. Otherwise I may not get a diorama finished because I’ll just keep adding things. I like the idea of being able to pull a small diorama out of my pocket.

 

Why World War II?

   During high school I worked at a restaurant and our security guard, Pete Annex, had served in the Army's 782nd Tank Battalion. He would tell me these incredible stories about driving a Sherman tank around Europe in the later stages of the war. He drove a tank with ‘Ooh La La’ on the side of it. Anyway, when I started thinking about making dioramas I wanted to work with Sherman Tanks because of his stories. That and GHQ makes fantastic little 6mm soldiers and vehicles.

   While I like reading World War II history and fiction, I'm not an expert. I do research and try to get things right, but I'm sure there are plenty of things I get wrong. 

What camera do you use to take the images on your web site?

   I use an iPhone 8 with Olloclip macro and wide angle lenses. They make great attachment lenses for the iPhone.

   Thanks for visiting my webpage, I hope you enjoy it. And please take a look at Andrew's and Abigail's websites.

Mulit-Tins-1.jpg

awards

2018

VALLEY CON

First Place

Collections - Five or more closely related items

The Peterson Automotive Museum 

Los Angeles, California

2017

VALLEY CON

Honorable Mention

Dioramas - Vignettes

The Peterson Automotive Museum 

Los Angeles, California

publications

2018

MILITARY MODELLING

Readers Showcase

volume 48  number 5  page 57

2018

THE DAILY MINI

thedailymini.com

July 2nd

2017

MILITARY MODELLING

Readers Showcase

volume 47  number 13  page 57

bottom of page